O’Rear used Fujifilm’s Velvia (said to rival Kodachrome), a film often used by nature photographers, which created the image’s saturated tones. He stopped his car and shot the scene with his medium-format camera. The grass was especially green after a winter shower, which had passed to reveal a blue sky dotted by fluffy white clouds. In January 1998, National Geographic photographer Charles O’Rear was driving down Highway 121 through Sonoma to see his girlfriend in San Francisco just as he’d done plenty of times before.
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